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‘ಹುಲಿರಾಯ’ನ ಮೋಷನ್ ಪೋಸ್ಟರ್ ಅನಾವರಣ…

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ಅರವಿಂದ್ ಕೌಶಿಕ್ ನಿರ್ದೇಶನದ ಮೂರನೇ ಚಿತ್ರ `ಹುಲಿರಾಯದ ಮೋಷನ್ ಪೋಸ್ಟರ್ ಬಿಡುಗಡೆಯಾಗಿದೆ. ಈ ಹಿಂದಿನ ಚಿತ್ರಗಳಲ್ಲಿಯೇ ಭಿನ್ನವಾದ ಹಾದಿಗಲ್ಲಿ ಗಮನ ಸೆಳೆದಿದ್ದ ಅವರು ಈ ಚಿತ್ರವನ್ನೂ ಕೂಡಾ ಅದಕ್ಕಿಂತಲೂ ವಿಶೇಷವಾಗಿಯೇ ರೂಪಿಸಿದ್ದಾರೆಂಬ ಸೂಚನೆಗಳೂ ಕೂಡಾ ಸ್ಪಷ್ಟವಾಗಿಯೇ ಹೊರ ಬಿದ್ದಿವೆ.

ಅರವಿಂದ್ ಕೌಶಿಕ್ ನಿರ್ದೇಶನದ ಮೂರನೇ ಚಿತ್ರ `ಹುಲಿರಾಯದ ಮೋಷನ್ ಪೋಸ್ಟರ್ ಬಿಡುಗಡೆಯಾಗಿದೆ. ಈ ಹಿಂದಿನ ಚಿತ್ರಗಳಲ್ಲಿಯೇ ಭಿನ್ನವಾದ ಹಾದಿಗಲ್ಲಿ ಗಮನ ಸೆಳೆದಿದ್ದ ಅವರು ಈ ಚಿತ್ರವನ್ನೂ ಕೂಡಾ ಅದಕ್ಕಿಂತಲೂ ವಿಶೇಷವಾಗಿಯೇ ರೂಪಿಸಿದ್ದಾರೆಂಬ ಸೂಚನೆಗಳೂ ಕೂಡಾ ಸ್ಪಷ್ಟವಾಗಿಯೇ ಹೊರ ಬಿದ್ದಿವೆ.
ಹುಲಿರಾಯ ಚಿತ್ರದ ವಿಶೇಷವಾದ ಮೋಷನ್ ಪೋಸ್ಟರ್ ಅನ್ನು ಹಿರಿಯ ಛಾಯಾಗ್ರಾಹಕರಾದ ಅಶೋಕ್ ಕಶ್ಯಪ್ ಅವರು ಬಿಡುಗಡೆಗೊಳಿಸಿದರು. ಈ ಚಿತ್ರದ ನಿರ್ದೇಶಕರಾದ ಅರವಿಂದ್ ಕೌಶಿಕ್ ಈ ಸಂದರ್ಭದಲ್ಲಿ ತಮ್ಮ ಸಿನಿ ಯಾನ, ಮಧ್ಯದಲ್ಲಿ ಬಂದೊದಗಿದ ನಾಲ್ಕೈದು ವರ್ಷಗಳ ಸುದೀರ್ಘ ವಿರಾಮ ಮುಂತಾದವುಗಳ ಬಗ್ಗೆ ಮನಬಿಚ್ಚಿ ಮಾತನಾಡಿದರು. ಅರವಿಂದ್ ನಂದಗೋಕುಲ ಎಂಬ ಧಾರಾವಾಹಿಯ ಮೂಲಕ ನಟರಾಗಿ ಬಣ್ಣದ ಲೋಕಕ್ಕೆ ಪಾದಾರ್ಪಣೆ ಮಾಡಿದವರು. ಅದಕ್ಕೆ ಸಂಪೂರ್ಣ ಸಹಕಾರ ನೀಡಿ ಈವತ್ತು ತಾವು ನಿರ್ದೇಶಕನಾಗಿ ಹೊರ ಹೊಮ್ಮಲು ಸಾಧ್ಯವಾಗಿಸಿದ Pಶಪ್‌ರನ್ನು ಗೌರವಿಸುತ್ತಲೇ ಅವರ ಕಡೆಯಿಂದಲೇ ಹುಲಿರಾಯ ಚಿತ್ರದ ಮೋಷನ್ ಪೋಸ್ಟರ್ ಅನ್ನು ಅನಾವರಣಗೊಳಿಸಿದರು.
ಇದೇ ಸಂದರ್ಭದಲ್ಲಿ ಇದೀಗ ನಾಯಕ ನಟನಾಗಿ ಬೇಡಿಕೆಯಲ್ಲಿರುವ ಅನೀಶ್ ತೇಜೇಶ್ವರ್ ಕೂಡಾ ಹಾಜರಿದ್ದರು. ಅನೀಶ್ ತಮ್ಮನ್ನು ನಾಯಕ ನಟನಾಗಿ ಪರಿಚಯಿಸಿದ ಇದೇ ಅರವಿಂದ ಕೌಶಿಕ್ ನಿರ್ದೇಶನದ ನಮ್ ಏರಿಯಾಲ್ ಒಂದಿನ ಚಿತ್ರದ ಗುಂಗಿಗೆ ಜಾರಿ ಅದರ ಪಾರ್ಟ್ ೨ ಮಾಡಬೇಕೆಂಬ ಇಂಗಿತವನ್ನೂ ವ್ಯಕ್ತಪಡಿಸಿದರು. ನಮ್ ಏರಿಯಾಲ್ ಒಂದಿನ ಚಿತ್ರದ ಡೈಲಾಗುಗಳನ್ನು ಹೇಳುವ ಮೂಲಕ ಚಿತ್ರತಂಡಕ್ಕೆ ಶುಭ ಕೋರಿದರು.
ಆ ನಂತರದಲ್ಲಿ ತೆರೆದುಕೊಂಡಿದ್ದ ಹುಲಿರಾಯ ಕಥೆ ಹುಟ್ಟಿದ ಬಗೆ ಮತ್ತು ಚಿತ್ರೀಕರಣದ ನಾನಾ ಮಜಲುಗಳು. ಏನಾದರೂ ಹೊಸತನ್ನು ಮಾಡಬೇಕೆಂಬ ಹಂಬಲ ಹೊಂದಿದ್ದ ಈ ಚಿತ್ರದ ನಾಯಕ ಬಾಲು ನಾಗೇಂದ್ರ ಮತ್ತು ಅರವಿಂದ ಕೌಶಿಕ್ ಸೇರಿಕೊಂಡು ಕಂಡ ಕನಸು ಹುಲಿರಾಯ. ಅರವಿಂದ್ ಬಾಲು ಅವರನ್ನೇ ಗಮನದಲ್ಲಿಟ್ಟುಕೊಂಡು ಈ ಚಿತ್ರದ ಕಥೆ ಮಾಡಿಕೊಂಡಿದ್ದರಂತೆ. ಆದರೆ ಚಿತ್ರವನ್ನು ಮಾಡೇ ಬಿಡುವ ನಿರ್ಧಾರಕ್ಕೆ ಬಂದರಾದರೂ ನಿರ್ಮಾಪಕರಿನ್ನೂ ಸಿಕ್ಕಿರಲಿಲ್ಲ. ಆಗ ಈ ಚಿತ್ರದ ಅಂತರಾಳ ಜಾಹೀರು ಮಾಡುವಂಥಾ ಒಂದು ಚೆಂದದ ಟೀಸರ್ ಸೃಷ್ಟಿಸಿದ ಈ ತಂಡ ಅದನ್ನಿಟ್ಟುಕೊಂಡು ನಿರ್ಮಾಪಕರ ತಲಾಷಿನಲ್ಲಿದ್ದಾಗ ಸಿಕ್ಕವರು ಕೆ.ಎನ್ ನಾಗೇಶ್.
ಕೆ.ಎನ್ ನಾಗೇಶ್ ಅವರು ಈ ಹಿಂದೆ ಅರವಿಂದ್ ಕೌಶಿಕ್ ನಮ್ ಏರಿಯಾಲ್ ಒಂದಿನ ಚಿತ್ರ ಮಾಡುವ ಹೊತ್ತಿಂದಲೇ ಪರಿಚಿತರಾದವರು. ಹೇಳಿ ಕೇಳಿ ಹೊಸಾ ಬಗೆಯ ಒಂದು ಚಿತ್ರ ಮಾಡಲೇಬೇಕೆಂಬ ತುಡಿತ ಹೊಂದಿದ್ದ ಅವರು ಹುಲಿರಾಯನ ಖದರ್ ಹೊಂದಿದ್ದ ಟೀಸರ್ ನೋಡಿದವರೇ ಮರು ಮಾತಿಲ್ಲದೇ ಹಣ ಹೂಡಲು ಒಪ್ಪಿಕೊಂಡಿದ್ದರು. ಅದಾದ ನಂತರ ಒಂದೇ ವೇಗದಲ್ಲಿ ಶುರುವಾದ ಹುಲಿರಾಯನ ಶೂಟಿಂಗ್ ಈಗ ಸಂಪೂರ್ಣವಾಗಿ ಮುಕ್ತಾಯಗೊಂಡು ಇದೀಗ ಚಿತ್ರ ಪೋಸ್ಟ್ ಪ್ರೊಡಕ್ಷನ್ ಹಂತದಲ್ಲಿದೆ.
ಅಂದಹಾಗೆ ನಿರ್ದೇಶಕ ಅರವಿಂದ್ ಕೌಶಿಕ್ ಅವರು ಹುಲಿರಾಯ ಕಥೆಯ ಸಣ್ಣ ಎಳೆಯನ್ನಷ್ಟೇ ಕುತೂಹಲಕರವಾಗಿ ಹೊರ ಬಿಟ್ಟಿದ್ದಾರೆ. ಹುಲಿ ಕಾಡಿನಲ್ಲಿ ಸ್ವಚ್ಛಂದವಾಗಿ ಓಡಾಡಿಕೊಂಡಿರುವ ಪ್ರಾಣಿ. ಒಂದು ವೇಳೆ ಅದೇ ಹುಲಿ ಬೆಂಗಳೂರಿನಂಥಾ ಸಿಟಿಗೆ ಬರುವಂತಾದರೆ ಏನಾಗ ಬಹುದು, ಎಂತೆಂಥಾ ಅನಾಹುತಗಳಾದೀತೆಂಬ ಎಳೆಯೊಂದಿಗೆ ಬೆಂಗಳೂರಿನಂಥಾ ಮಹಾ ನಗರಿಗಳ ಜಂಜಡ, ಒತ್ತಡಗಳನ್ನ ಬೇರೆಯದ್ದೇ ರೀತಿಯಲ್ಲಿ ಹೇಳುವ ಭಿನ್ನ ಪ್ರಯತ್ನ ಈ ಚಿತ್ರದಲ್ಲಿದೆಯಂತೆ. ಈ ಕಥಾ ವಸ್ತು ಇನ್ನು ಹತ್ತದಿನೈದು ವರ್ಷವಾದರೂ ಸವಕಲಾಗದಂಥಾದ್ದೆಂಬುದು ನಿರ್ದೇಶಕರ ಭರವಸೆ. ಈಗಾಗಲೇ ದುನಿಯಾ ಸೂರಿ ಸೇರಿದಂತೆ ಸಾಕಷ್ಟು ನಿರ್ದೇಶಕರ ಅನೇಕ ಸಿನಿಮಾಗಳಲ್ಲಿ ಪಾತ್ರ ನಿರ್ವಹಿಸುತ್ತಾ ಉತ್ತಮ ಕಲಾವಿದ ಎಂಬ ಪ್ರಶಂಸೆಗೆ ಪಾತ್ರವಾಗಿರುವ ಬಾಲು ನಾಗೇಂದ್ರ ಹುಲಿರಾಯ ಚಿತ್ರದ ಮೂಲಕ ಪೂರ್ಣಪ್ರಮಾಣದ ನಾಯಕನಗಿ ಪರಿಚಯಗೊಳ್ಳುತ್ತಿದ್ದಾರೆ. ರಂಗಭೂಮಿ ಹಿನ್ನೆಲೆಯ ಬಾಲು ನಾಗೇಂದ್ರ ಅವರಿಗೆ `ಹುಲಿರಾಯ’ ಯಶಸ್ಸು ನೀಡೇನೀಡುತ್ತದೆ ಎನ್ನುವ ನಂಬಿಕೆ ಇದೆಯಂತೆ.
ಈ ಭಿನ್ನವಾದ ಮೂವತೈದು ಸೆಕೆಂಡುಗಳ ಮೋಷನ್ ಪೋಸ್ಟರ್ ಮಾಡಿದವರು ಸಂತೋಷ್ ರಾಧಾಕೃಷ್ಣನ್. ಈಗಾಗಲೇ ವಿಎಫ್‌ಎಕ್ಸ್ ಕಲಾವಿದರಾಗಿ ಸುಮಾರು ಇಪ್ಪತ್ತೆಂಟು ಸಿನಿಮಾಗಳಿಗೆ ಕಾರ್ಯನಿರ್ವಹಿಸಿರುವ ಸಂತೋಷ್ ಆನಂದರ್ ರಾಮ್ ಸದ್ಯ ಕನ್ನಡ ಚಿತ್ರರಂಗದಲ್ಲಿ ಹೆಸರು ಮಾಡಿರುವ ಗ್ರಾಫಿಕ್ಸ್ ಕಲಾವಿದೆ. ಅವರೇ ಸೃಷ್ಟಿಸಿದ್ದ ಉಳಿದವರು ಕಂಡಂತೆ, ಕಿರಿಕ್ ಪಾರ್ಟಿ ಸೇರಿದಂತೆ ಅನೇಕ ಚಿತ್ರಗಳ ಗ್ರಾಫಿಕ್ಸ್ ಕೆಲಸ ಎಲ್ಲರ ಮೆಚ್ಚುಗೆಗೆ ಪಾತ್ರವಾಗಿತ್ತು. ಈಗ ಹುಲಿರಾಯ ಚಿತ್ರಕ್ಕೂ ಸಂತೋಷ್ ಮಾಂತ್ರಿಕ ಟಚ್ ನೀಡಿದ್ದಾರೆ. ಈ ಎಲ್ಲದರ ನಡುವೆ ಈಗ ಬಿಡುಗಡೆಯಾಗಿರುವ ಮೋಷನ್ ಪೋಸ್ಟರ್ ಪ್ರತಿಯೊಂದು ಪಾತ್ರಗಳ ಹೊಳಹನ್ನೂ ನೀಡುತ್ತಲೇ ಕುತೂಹಲ ಹುಟ್ಟಿಸುವಲ್ಲಿ ಚಿತ್ರತಂಡ ಯಶ ಕಂಡಿದೆ.





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DIVANGATHA MANJUNATHA GELEYARU

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Rating 3/5

Title – Divangatha Manjunatha Geleyaru, Producer – ND Arun Kumar, Direction – Arun ND, Music – Vinay Kumar, Cinematography – Mohammad Ameen, Cast – Rudra Prayag, Sheetal Pandey, Shanker Murthy, Ravi Poojar, Mohan Das, S Nagaraj, Sathyajith, Jyothi Maroor, Prabhakar Rao and others.

This is a worth watching family entertainer with human values. Director Arun has made a first gear going smooth for his story and screenplay. Secondly he picks the right characters for the film, gets good music and cinematography to reach the top gear through this film ‘Divangatha Manjunatha Geleyaru’.

The title ‘Manjunatha’ has always been a winner and lucky mascot for Kannada cinema. The film released on Friday with a magnificent handling of the subject also gets the same notable feat.

Director Arun has shown a great degree of dexterity for his timing of the shots that is well supported by actors. Fine understanding of the subject is what makes such scoring possible. All the five guys especially Ravi Poojar as innocent Srinivasulu rocks throughout the film.

On the contents in the family front the father guarding his son in all depression is sure to do good talk. The situation stitched for this father and son is going to knock at the doors of masses in the society. Especially when father joins the security job after retirement for the sake of his intelligent son in depression, you wipe your tears.

All the five characters – Naveen, Sanjay, Rajkiran, Srinivasulu, Veda engineering college friends have different track. At this point of time director Arun holds a mirror to the recent situation of influx of more engineers in the market. In the case of Naveen his family member ask him to sell pappad in the market. The diploma holders are in good positions compared to the engineers today is also fate of present scenario.

All the five guys are connected in the suicide of Manjunatha. Manjunatha is a cheat with habit of living with his friend’s money. He is connected CC TV business, betting, getting fake marks racket etc. All the five have connection to Manjunatha in one way or the other and that makes the police to round off all of them after the suspected suicide.

It is not a suicide but a murder according to police. There is a pressure on sub inspector Kempaiah who wants to produce the five guys to court and win accolades of solving the case.

Will that happen in the flash back mix story narration of director Arun is the best part of the film. The dialogues among the five youths are extremely good and funny situations gets applaud.

It is not boring at any point of time. It raises a few questions in the minds of people of the society. The love lost youth finally consolidating his position is what the youths should follow. It is a warning in fact from this film for youths – especially boys.

The five guys Naveen, Sanjay, Rajkiran, Srinivasulu and Veda are screen stealers of this film. There are two well set tunes for this film. The cinematography is adequate. The punishment for the youths in the police department could have been brought down.

Get up to watch another Manjunatha on silver screen-‘Divangatha Manjunatha Geleyaru’. A fine preparation and cinematic strength in getting audience is very high in this film.

A film worth your ticket price!

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AYOGYA REVIEW : MYSURU PAK SATISH-RACHITA ROCK

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Rating : 4/5

Title – Ayogya, Producer – TR Chandrasekhar, Direction – S Mahesh Kumar, Music – Arjun Janya, Cinematography – Pritam Tagginamane, Cast – Ninasam Satish, Rachita Raom, Ravishanker, Shivaraj KR Pete, Giri, Tabala Nani, Aruna Balaraj, Sunder Raj, Sadhu Kokila, Kuri Pratap and others.

In his debut with a popular revenge saga in mind director S Mahesh Kumar is over intelligent and he has fed entertainment in excess. No doubt that he is intelligent. He knows the ingredients of masses and for the B and C class of audience this is ‘Mysuru Pak’ – the famous mouth watering sweet popular of the city of producer TR Chandrasekhar.

The 153 minutes ‘Ayogya’ is no doubt a ‘Yogya’ film to watch. On several fronts this film is rich in winning the hearts of audience. Sentiment, revenge, betrayal, comedy, action mood, friendship, the usage of latest technology also has come as a good help for this village backdrop film ‘Ayogya’.

This Ayogya is Siddu Gowda (Ninasam Satish). His company is Giri and Shivraj KR Pete sidekicks. Siddu when he was young his mother was kicked by Bachche Gowda for asking ‘Shauchalaya’ for the village. That is the wrong time beginning for Bachche Gowda (Ravishanker). He loses his watch very precious of his family while slashing Siddu mother Aruna Balaraj.

At this young age of a boy the vigor build up very strongly because his mother has asked what is wanted for the entire village. At this point of time the young boy makes a declaration that he will be ‘Grampanchayat member’ one day.

As the story and narration picks up in the second half this vagabond Siddu Gowda is also in love with Nandini (Rachita Ram) daughter of a marriage broker played by Sunder Raj.

The toughness for Siddu is not to keep up his love. He faces some confusion in his love journey but he makes it a point to file the nomination for Gram Panchayat election before 5 pm. The missing of his papers further boils up the situation. He files the papers at five minutes before at the office and his next target is to tarnish the image of Bachche Gowda. The fake ride on Bachche Gowda house and the trick he uses in the ballot papers earns him a good margin of vote and he shows the watch to Bachche Gowda that he picked when he slashed his mother in front of public.

The strong story line and narration in the masal style is the hallmark of this film. Ninasam Satish and Rachita Ram have done extremely good performance. The song for the two Enammi Enammi…is very sweet. Ninasam Satish wins with his dialogues and action.

Rachita Ram as usual is a treat to watch although her strength of the role is not big. Aruna Balaraj as mother is very fine. Ravishanker with hard hitting dialogue ‘Nan Bachche Gowda Nan Munde ella Bachcha’ steals the heart.

Tabala Nani, Giri, Shivraj KR Pete gets good relief required for the film. Sadhu Kokila and Kuri Pratap have nothing much to add to the film.

Arjun Janya is terrific in two songs in this film. The capturing of the village backdrop for the film by cameraman Pritam is commendable.

The dialogue written by Sharat Chakravarthy wins applauds. The ablution scene of Ravishanker is although bit extreme gets the booing moment in the theatre.

‘Ayogya’ with lot of talk for its title in the beginning of the film is a loaded commercial to watch. None of the Gram Panchayat member is belittled in this film.

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LOUD AND CLEAR KEEP AWAY FEAR

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Rating : 4/5

Title – Loud Speaker, Producer – Dr K Raju, Direction – Shivathejas, Music – Harshavardhana, Cinematography – Kiran Hampapura, Cast – Bhasker Ninasam, Kavya Shah, Sumanth Bhat, Disha Divakar, Karthik Rao, Abhishekh Jain, Anusha, Rangayana Raghu, Dattanna, Jaya, Anupama and others.

Mobile is a maniac today. Mobile is making life immobile. Mobile is taking away life. Mobile with other social media attachments are a big bane to the society.

For the masses who is going to tell the ills of this Mobile? It is only mass media can attempt in keeping awareness of loads of developments that are moronic to the society.

That is what director Shiva Thejas and team with ‘Dangerous Game’ has done just sitting across a dinner table. The various emotions and mobile misuse, the secret the mobile contains that is so dangerous to trust of living partner etc you would find with many interesting twists and turns in this ‘Loud Speaker’ Kannada cinema. It is a talkative cinema!

It is a surprise package from Shiva Thejas. The screenplay of director is tremendous. There is no boring moment once the wine and dine starts in the house of a doctor and his wife – played by Sumanth Bhat and Disha Divakar.

In the house of the doctor two more married couple Bhasker Ninasam and Kavya Shah, Abhishekh Jain and Anusha plus a divorcee Karthik Rao assemble and the game begins – all seven at the table should keep their mobile on and loudspeaker mode is a must so that all can hear.

The secrecy of all is now open to seven and the various phone calls that come expose each and every one of his secrets. This is the funniest part and also eye opener of the film. All of them secrets tucked in their mobile and it is a dangerous especially for Abhishekh Jain as he gets a ‘Nude Photo’ at 10 pm every night.

To escape from this moment he exchanges his mobile with Karthik Rao a divorcee. The scene reaches a boiling point as he starts receiving a gay call. This flares up the situation and when the level of the narration goes extreme – Karthik stuns everyone by admitting that he is a ‘Gay’ in life after his wife divorced him because of that reason.

Finally the search is for Kavya who doubts her husband Bhasker Ninasam. The opener is something else when Kavya is traced with police supporting this search.

The three couple and Karthik Rao are extremely good and they have understood the situations that they have to take part very well.

The best comes from Rangayana Raghu as a cop when the narration takes place in a flash back. The advice Rangayana Raghu makes with hard hitting dialogues are superb.

The background score, editing, cinematography are on top gear. The film is a must watch by family audience. The focus is multifold.

This is a thoroughly enjoyable film. Don’t miss this – it is everyone film in the rampant mobile and social media supremacy.

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